Figure 3

Woodcut from the Alchemical Work, Rosarium Philosophorum (1550): the Mercurial fountain, which Jung (1969) interprets as symbolizing the self as the ongoing integrational effort of a conjunction of opposites.
Woodcut from the Alchemical Work, Rosarium Philosophorum (1550): the Mercurial fountain, which Jung (1969) interprets as symbolizing the self as the ongoing integrational effort of a conjunction of opposites.